Art Framing Guide

Framing artwork is just as important as choosing the perfect ring for a diamond. The right frame enhances the artwork, works with it in both texture and color, and, ultimately, completes it.

In this guide, we'll review the frames offered by Art House SF.

Spilling over the edge

Gallery Wrap

"Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides of the stretcher bar or strainer bars and is secured to the back of the wooden frame.", according to Wikipedia.

Essentially, the painting continues on all sides of the frame so that we can see it from any angle.

This frame requires extra margins painted by the artist, stretching canvas carefully by hand over thick (1.25'') custom-made wooden stretcher bars and stapling them on the back.

In this example, Lobsang Durney likes to gallery wrap his work to provide a more cinematic, "spilling over the edge" experience.

Outer color complements artwork

Museum Wrap

Museum wrap is a variation of the gallery wrap. Like the gallery wrap, the canvas is wrapped around the edges and secured to the wooden frame's back.

One key difference is that in the museum wrap, all edges are painted in one color. Albena Vatcheva's work is a great example. Notice how the black contours in her paintings are complemented by the black color of the frame edges. The thin outer edge of the picture brings it all together.

Both gallery and museum wrap paintings are typically lighter and have a lower profile than other frames.

Float like a butterfly

Floating Wood Frame

Floating frames consist of two major parts.

Just like in the museum/gallery wrap, the canvas is stretched over wooden stretcher bars. The only difference here is that the edges don't have to be well painted.

Then, a custom-made outer wooden frame is built. The outer frame's inner dimension is about 1 inch larger than the stretched canvas's outer dimension. This gap between the canvas and the frame creates the illusion of the painting "floating" within the frame.

The thin dark shadow around the canvas creates just enough visual space so that the eye can appreciate the artwork better.

Floating frames are relatively new and quite popular. Preferred by many galleries, floating frames are contemporary and classy.

Simplicity and Texture

Modern Wood Frame

The modern wood frame is similar to the floating frame, same two parts: canvas stretched on stretcher bars and outer wooden frame.

The first key difference is the lack of gap between the canvas and the outer frame.

Secondly, while the floating frame is often painted with a solid color (black, white, cold, etc.), the modern wood frame highlights the wood texture. It is clearly a wood frame, with poplar, maple, or oak wood waxed or stained with visible grain.

This frame adheres to the KISS principle and ensures that it takes very little attention from the artwork. The stain color is carefully selected to complement the painting.

Most paintings by George Abramidze and Tavalina have the modern wood frame with wood grain complementing their painterly and textured artwork.

Minimalist and Modern

Metal and Glass Frame

This frame consists of 5 major parts.

First, a slim black metal frame is made out of precision-cut anodized aluminum. The paper painting is then held in place between the archival-quality acid-free foam board and 4-ply black paper mat. The second white paper mat provides a nice contrast and creates frame-within-frame focus (black, white, black, painting). Finally, everything is covered by non-glare acrylic glass, which is lighter and less fragile than glass.

Simple, minimalist, and modern this frame is very versatile and fits in any interior. It works best for works on paper, watercolor, or acrylic. Black and white contrast pulls together bright acrylic colors as in this work by Chuchin

Watercolors love them

Wood and Glass Frame

This frame has the same 5 components as the Metal and Glass frame with a few differences.

The outer frame is made out of wood or MDF (medium-density fiberboard or engineered wood).

Paper mats are often light in color but not exactly white. The color is carefully selected to be just a little bit lighter than the lightest color in the painting or just a bit darker than the darkest.

These frames are often used for watercolor paintings, sensitive to humidity and bright Sun (thus, the UV filter plexiglass). Slightly offset mat color often works well with the watercolors shadows as in this painting by Inna Petrashkevich.