Meeting in Sultan's Harem by Feruz Temirov: figures in an ornate interior of blue and gold, Persian miniature in watercolor and gold gouache on paper
Meeting in Sultan's Harem, a Persian miniature by Bukhara artist, showcasing vibrant Uzbek art.
Meeting in Sultan's Harem by Feruz Temirov: figures in an ornate interior of blue and gold, Persian miniature in watercolor and gold gouache on paper
Meeting in Sultan's Harem, a Persian miniature by Bukhara artist, showcasing vibrant Uzbek art.
Feruz Temirov

Meeting in Sultan's Harem

$700.00 Save $-700.00
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The women's quarters were closed to almost everyone, which makes painting one of the few records of what they looked like. Miniaturists solved the problem of showing an enclosed world by cutting the building open — walls, courtyard and interior all visible at once, in a perspective that was never meant to be literal.

Inspired by Persian poetry and history, the ancient art of miniature lives on with the artist from Bukhara, Uzbekistan.
Read more about Feruz 		Feruz Temirov - Persian Miniaturist from Bukhara
Technique Dimensions
Watercolor, acrylic, tempera, gold gouache on paper 14" H, 11" W
Framing From
Maple wood frame, NGA pickle white finish, UV-filter, non-glare plexiglass Bukhara, Uzbekistan
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Feruz Temirov

Feruz Temirov came to miniature painting through the university rather than the workshop. In a craft where almost everyone apprenticed, he entered the Faculty of Music and Fine Arts at Bukhara State University on his father's advice, and chose miniature for its ties to history and literature. He studied there from 1994 to 1999, then returned to teach it for eight years.

He learned it by copying — the medieval schools of Iran, Herat and Bukhara, and the masters Behzad and Mahmud Muzahhib. His subjects come from the poets he read while learning: Firdausi, Nizami, Jami, Navoi. His illustrations appear in two volumes of Uzbek tales published in Paris, in 2014 and 2024, and in 2019 the Embassy of Uzbekistan brought him to Vienna as one of the country's master craftsmen, to give master classes.

For some paintings he works on Samarkand paper, made from the inner bark of young mulberry branches and burnished with stone until it takes a silken sheen — the support Persian manuscripts were made on for a thousand years, and nearly lost after the Russian conquest. He paints in watercolour, tempera and gold gouache, with brushes of natural fibre. A single miniature can take months.

“It is a great achievement and a great happiness for me if the miniatures I create will please not only modern art lovers but also future generations.”

Read Temirov’s full story — meeting him in Bukhara, and the stories behind thirteen of his miniatures.

Virtual Exhibit

Learn more about the meaning of each miniature, Persian poetry, the Silk Road, artists' process and more

Learn more

My trip to Uzbekistan

Read my travel journal from the October 2024 trip to Uzbekistan: Tashkent, Samarkand, Bukhara and Khiva.

Read the Journal

Video about Feruz

Hear from the artist himself. Feruz Temirov in his studio in Bukhara talks about his process and inspiration.

Watch the video

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