Pep Ventosa, Biography


For me, these photographs resemble Cubist Photography more than anything else. Similarly to Cubism paintings, Pep is masterfully slicing the planes in front of him. But what he is able to achieve is not just slicing in space, but in time as well.

In original Cubism, the great masters could only decompose what is in front of them "in space", i.e. paint their subject from different angles. Pep goes a step further. He takes photographs at different times, and thus you see, for example, the Bay Bridge not only from different angles but at different times of the day.

And that is honestly a bit mind-boggling.


Our mind is strangely not opposed to his interpretation of reality. First, we just "read his images", and then a little later, a red flag is raised in our brain, "something is not right here". Only upon closer examination do we see what the magician has done. This is why I would call his art Cubist Photography, time-space Cubism Photography.



Pep Ventosa's work is focused on an exploration of the medium itself--deconstructing and reconstructing photographic images to create new visual experiences.  His photographs have received top honors, exhibited in the U.S., Canada, Australia, Asia, and throughout Europe, and been jury selected for special exhibitions by the late Robert Rosenblum, curator of 20th Century Art at New York’s Solomon R. Guggenheim Museum; the Pritzker Director of the Museum of Contemporary Art, Chicago; and the Royal Photographic Society of Madrid, among others. Ventosa's work is in the permanent collection of the Crocker Art Museum and his creative work processes are used as a teaching guide for photography students.
A Catalan born in 1957 in Vilafranca del Penedès, near Barcelona, his lifelong passion for photography began with his first camera at the age of 10. He went on to learn the mechanics of the darkroom at Spain's Escola d’Arts i Oficis Artístics de l’Alt Penedès and later taught himself the possibilities of the new digital darkroom. Ventosa currently lives in the San Francisco Bay Area in California.
Over the years, Pep has developed multiple series of photographs, each series has a very unique techique, style and subjects.

Reconstructed Works

Recognized in the International Photography Awards, these images were each created using dozens to several hundred separate photographs.  Originally shot in fragments, the puzzle pieces were then reconstructed one by one and reworked to create a unique narrative space that never actually happened, where the whole travels mysteriously further than what the camera documented.  Part memory, part imagination, not unlike the way we see.


Art's Magnetic Field

The Human spirit has always responded to the call of art.  From cave paintings to the haloed masterpieces in our museums, art has long enchanted and elevated human experience.  We stand collectively in a sort of suspended moment - contemplating the magic - and one can't help but sense that the art is looking back at us.


Trees, in the round

In this series, which received Honorable Mention in the London International Creative Competition, multiple shots of each tree were taken while walking in a circle around it, then blended together and reworked to discover what became of the orbit - the tree and its environment in the round